Instead, it’s written in a format only Lightroom understands.

Surprising is that the file isn’t in standard XMP, which can be read by other apps as well. The editing of them instantly synchronizes with Adobe’s Lightroom metadata, which isn’t a surprise, as the metadata is generated in a sidecar file. The metadata improvements are, let’s be honest, greatly overdue.

The first time I tried the new U-Point, it resulted in frighteningly intense screen flickering with large dark rectangles appearing, but I couldn’t reproduce that later on. With every U-Point, you can now also base the effect on luminance and chrominance values. U-Point adjustments have gained a Control Line effect that lets you pick a color to limit the region affected by the mask, but instead of a circle, you have a line along which the effect is created. It was already better than PRIME, which is still available as an option (as is manual noise removal), and it’s much better than any competitor’s noise-removing algorithm. Combined with lens support, some 605 new modules have been added to DxO’s database of calibrated equipment.ĭxO’s DeepPRIME is now four times faster in PhotoLab 5.

Starting with the last, the support extends to the newer X-E4, X-S10, X-T4, and X100V through to the older X-E2 and X-70. PhotoLab 5 comes with better IPTC metadata and keyword editing capabilities as well as synchronization with Adobe Lightroom, a new U-Point control, a much-improved DeepPRIME, and support for Fujifilm X-Trans cameras and lenses. Fujifilm Support, Better and More MetadataĮvery year DxO releases a new version of PhotoLab, and this year was no exception.

Dxo photolab 5 reviews